|dont trust any list like this with Blade Runner on it because actually the PKD book is really good too|
9. The Shawshank Redemption. Even though, technically, there is no actual "redemption" (because Andy was innocent (wd have been a much better film if he'd been guilty)) and despite the fact that Morgan Freeman's VO gets very annoying by the end, this is still much better than the thin on the ground source material by Stephen King.
8. The 39 Steps. The book is ok, the Hitchcock film is breezy, sexy and fun. It's got a girl and a plane and Mr Memory none of which are in the book. Jorge Luis Borges says in one of his essays that was the first film he'd ever seen that transcended the source material and he is right.
|yeah the guy from 'Wings' stars in Stephen King's 'definitive' version of |
6. The Silence of The Lambs. I know not everyone will agree with me on this but I found the book to be gruesome, campy and overbearing, whereas the film is...oh wait a minute...
5. Jaws. Every single person you ever met on public transport in the 1970s was reading this book which isn't actually that great. But those, apparently, were the good old days, now everybody on public transport is playing video games and texting and checking their bloody Facebook likes on their bloody phones. I was on a packed 'supertram' yesterday and there wasn't a single other person on there reading a book. God help us all. Lost my train of...what was I talking...Oh yes, Jaws: strange, clunky, slightly cheesy book with bizarre mafia subplot, 70s style affairs and then some old sea dog prose, but a lean, clever, subtle film (except, obviously, for the scene where Chief Brody gets slapped).
4. Barry Lyndon. Insufferable, long, meandering, silly, anti-Irish book, but somehow Kubrick made a minor masterpiece out of it. He does that a lot does Kubrick. Clockwork Orange, Full Metal Jacket and 2001 could have been on this list too. The duel scenes alone are worth the price of admission...
3. The Graduate. This is a short book that you will still struggle to finish. How anyone thought there was a movie in this material is beyond me. I guess Mike Nichols is a genius or something.
=2. The Godfather. Have you read the novel? Wow: schlocky, tacky and very much of its time. Written rapidly in the style of Harold Robbins the words kind of assault you with their clumsiness...Puzo, however, carefully rewrote the screenplay with Coppolla, they cast it well, they filmed it well and produced a masterpiece.
=2 Goodfellas: Henry Hill's memoir has its moments but the film is probably Scorsese's best (and that's saying something). The Copacabana steadicam scene and the editing in the final 10 minutes are cinematic high points of the twentieth century.
1. Last of the Mohicans. This book is so bad that Mark Twain made hay out of mocking it 150 years ago and it has not aged particularly well since then. The Michael Mann film however, is a classic especially that 8 minute long - almost silent - final sequence.